The Complete FM3 Master Class with Cooper Carter
Buy now
Learn more
1. Introduction & Philosophy
1.0 - Introduction & Philosophy
2. The FM3 & Initial Setup
2.0 - Initial Setup - The Top Panel
2.1 - Footswitches, Layouts, and Views
2.2 - The Rear Panel & Making Connect...
3. The Setup Menus
3.0 - The Setup Menus - FC Controller...
3.1 - Global Settings
3.2 - Audio & USB Input-Output
3.3 - The Pedal Page
3.4 - MIDI-Remote Settings
3.5 - Utilities
3.6 - Setting Up the Tuner
4. FM3-Edit
4.0 - Introduction to FM3-Edit
5. Dialing in a Clean Tone
5.0 - Dialing in a Clean Tone - The B...
5.1 - Leveling a Preset
5.2 - Introduction to Reverb
5.3 - Dialing in Compression
5.4 - The Basics of Delay
5.5 Tying Effects to Tempo
5.6 - Dialing in Chorus
385_Clean Tone.syx
FM3 Template 1.syx
FM3 Template 2.syx
6. Dialing in an Edge of Breakup Tone
6.0 - Dialing in an Edge of Breakup Tone
6.1 - Organic Reverb Techniques
6.2 - Drives & Pedal Platform Techniques
6.3 - The Basics of Tremolo
6.4 - The Rotary Speaker
386_Breakup Tone.syx
7. Dialing in a Classic Rock Tone
7.0 - Dialing a Classic Rock Tone
7.1 - The Noise Gate
7.2 - Introduction to Modifiers- Wah ...
7.3 - Thickening Effects- Pitch
7.4 - Phasers
387_Classic Crunch.syx
8. Dialing in a High Gain Tone
8.0 - Dialing in a High Gain Tone
8.1 - Thickening Effects- Enhancer
8.2 - Flangers & Chorus
8.3 - Ambient Textures- Plex Delay
388_High Gain.syx
9. Introduction to Scenes & Channels
9.0 - Introduction to Scenes & Channels
9.1 - The Block Library
9.2 - Consolidating Four Presets into...
9.3 - Leveling Across Scenes
9.4 - Special Considerations with Sce...
9.5 - Channel Creativity
9.6 - Methods for Saving CPU
9.7 - Best Practices.mp4
Level-Mix-Calculator.xlsx
Massive Rig.syx
Massive Rig (Low CPU).syx
10. Building a Live Preset with Scenes
10.0 - Creating a Preset for Live Use...
10.1 - Pitch Block Toolbox
10.2 - Creating a Preset for Live Use...
10.3 - Cabinet Cutting
10.4 - The MIDI Block
Live Preset.syx
11. "Amp in the Room" Tone & Headphone Playing
11.0 - Amp in the Room & Headphone Tone
11.1 - Amp Block Methods
11.2 - Cabinet Block Methods
Headphone Tone.syx
Amp in the Room.syx
12. Advanced Amp Parameters
12.0 - Advanced Amp Parameters
394_Amp Exploration.syx
13. Multiple Inputs, Multiple Instruments
13.0 - Multiple Inputs, Multiple Inst...
13.1 - Running an Acoustic & an Elect...
13.2 - Running an Electric Guitar & a...
395_Electric & Piezo.syx
396_Electric & Acoustic.syx
397_Electric & Bass.syx
398_Electric & Bass II.syx
U1.0003_Acoustic Tone Match.syx
14. Multiple Outputs, Multiple Rigs
14.0 - Multiple Outputs, Multiple Rigs
14.1 - Neutral Power Amp & Cab
14.2 - FRFR System & an Onstage, Neut...
14.3 - Tube Power Amp & Cab or a Head...
399_Live Preset (Ears Out 2).syx
400_Live Preset (SS+CAB).syx
401_Live Preset (PA+SSCAB).syx
402_Live Preset (TUBE AMP).syx
15. Using the FM3 as an Effects-Only Unit
15.0 - The FM3 as an FX-Only Unit - I...
15.1 - In the FX Loop of an Amp
15.2 - With the Four Cable Method (4CM)
15.3 - Integrating Third-Party Outboa...
403_Pedalboard (PRE FX ONLY).syx
404_In the Loop (POST FX ONLY).syx
405_Ultimate FX Rig (4CM).syx
406_Outboard Loop.syx
16. Exploring External Control with Pedals
16.0 - External Control with Pedals.mp4
16.1 - Creating a Whammy Pedal.mp4
16.2 - Creating a "Talkbox" Formant P...
407_Pedal Exploration.syx
408_Pedal Exploration II.syx
17. Exploring & Editing FM3 Foot Control in Depth
17.0 - Layouts 1-5
17.1 - Layout 6- Per-Preset
17.2 - Layouts 7-9
Customized Factory Layouts.fclayout
LOOPER.fclayout
18. Integrating FC Foot Controllers
18.0 - Integrating FC Controllers
18.1 - Customizing Multiple Live Layouts
18.2 - Layout Linking
18.3 - Overrides, Stand-In Switches, ...
18.4 - The OMG9
Live Layout Suite.fclayout
19. The Internal Controllers Suite
19.0 - The Internal Controller Suite ...
409_Tempo Tying.syx
19.1 - Low Frequency Oscillators (LFOs)
410_LFO Trem.syx
411_Mimick the MIMIQ.syx
412_Natural Chorus.syx
413_Sweep Verb.syx
19.2 - The Envelope Follower.mp4
414_Gated Reverb.syx
415_Ducking Chorus.syx
416_Dynamic Drive.syx
417_Auto Wah & Filter.syx
418_Ambience.syx
19.3 - The ADSR
19.3b - Combining Controllers
419_ADSR Wah.syx
420_Auto Koto.syx
19.4 - The Sequencer
421_Sequencer.syx
19.5 - The Pitch Follower
422_Dynamic Pitch Lead.syx
19.6 - Scene Controllers
423_Scene Controllers.syx
424_Scene Controllers II.syx
19.7 - Manual Controllers
425_Manual Controllers.syx
19.8 - Control Switches.mp4
426_Control Switches.syx
19.8b - Creating a ”Sound on Sound” ...
427_Sound on Sound.syx
20. USB Recording & Reamping
20.0 - USB Audio & Recording.mp4
20.1 - USB Reamping.mp4
20. Utilities, Managing Presets & Cabs, Wrapping Up & Further Exploration
21.0 - Utilities & Managing Files.mp4
21.1 - FractalBot.mp4
21.2 - Wrapping Up.mp4
428_One Last Thing....syx
Products
Course
Section
7. Dialing in a Classic Rock Tone
7. Dialing in a Classic Rock Tone
The Complete FM3 Master Class with Cooper Carter
Buy now
Learn more
1. Introduction & Philosophy
1.0 - Introduction & Philosophy
2. The FM3 & Initial Setup
2.0 - Initial Setup - The Top Panel
2.1 - Footswitches, Layouts, and Views
2.2 - The Rear Panel & Making Connect...
3. The Setup Menus
3.0 - The Setup Menus - FC Controller...
3.1 - Global Settings
3.2 - Audio & USB Input-Output
3.3 - The Pedal Page
3.4 - MIDI-Remote Settings
3.5 - Utilities
3.6 - Setting Up the Tuner
4. FM3-Edit
4.0 - Introduction to FM3-Edit
5. Dialing in a Clean Tone
5.0 - Dialing in a Clean Tone - The B...
5.1 - Leveling a Preset
5.2 - Introduction to Reverb
5.3 - Dialing in Compression
5.4 - The Basics of Delay
5.5 Tying Effects to Tempo
5.6 - Dialing in Chorus
385_Clean Tone.syx
FM3 Template 1.syx
FM3 Template 2.syx
6. Dialing in an Edge of Breakup Tone
6.0 - Dialing in an Edge of Breakup Tone
6.1 - Organic Reverb Techniques
6.2 - Drives & Pedal Platform Techniques
6.3 - The Basics of Tremolo
6.4 - The Rotary Speaker
386_Breakup Tone.syx
7. Dialing in a Classic Rock Tone
7.0 - Dialing a Classic Rock Tone
7.1 - The Noise Gate
7.2 - Introduction to Modifiers- Wah ...
7.3 - Thickening Effects- Pitch
7.4 - Phasers
387_Classic Crunch.syx
8. Dialing in a High Gain Tone
8.0 - Dialing in a High Gain Tone
8.1 - Thickening Effects- Enhancer
8.2 - Flangers & Chorus
8.3 - Ambient Textures- Plex Delay
388_High Gain.syx
9. Introduction to Scenes & Channels
9.0 - Introduction to Scenes & Channels
9.1 - The Block Library
9.2 - Consolidating Four Presets into...
9.3 - Leveling Across Scenes
9.4 - Special Considerations with Sce...
9.5 - Channel Creativity
9.6 - Methods for Saving CPU
9.7 - Best Practices.mp4
Level-Mix-Calculator.xlsx
Massive Rig.syx
Massive Rig (Low CPU).syx
10. Building a Live Preset with Scenes
10.0 - Creating a Preset for Live Use...
10.1 - Pitch Block Toolbox
10.2 - Creating a Preset for Live Use...
10.3 - Cabinet Cutting
10.4 - The MIDI Block
Live Preset.syx
11. "Amp in the Room" Tone & Headphone Playing
11.0 - Amp in the Room & Headphone Tone
11.1 - Amp Block Methods
11.2 - Cabinet Block Methods
Headphone Tone.syx
Amp in the Room.syx
12. Advanced Amp Parameters
12.0 - Advanced Amp Parameters
394_Amp Exploration.syx
13. Multiple Inputs, Multiple Instruments
13.0 - Multiple Inputs, Multiple Inst...
13.1 - Running an Acoustic & an Elect...
13.2 - Running an Electric Guitar & a...
395_Electric & Piezo.syx
396_Electric & Acoustic.syx
397_Electric & Bass.syx
398_Electric & Bass II.syx
U1.0003_Acoustic Tone Match.syx
14. Multiple Outputs, Multiple Rigs
14.0 - Multiple Outputs, Multiple Rigs
14.1 - Neutral Power Amp & Cab
14.2 - FRFR System & an Onstage, Neut...
14.3 - Tube Power Amp & Cab or a Head...
399_Live Preset (Ears Out 2).syx
400_Live Preset (SS+CAB).syx
401_Live Preset (PA+SSCAB).syx
402_Live Preset (TUBE AMP).syx
15. Using the FM3 as an Effects-Only Unit
15.0 - The FM3 as an FX-Only Unit - I...
15.1 - In the FX Loop of an Amp
15.2 - With the Four Cable Method (4CM)
15.3 - Integrating Third-Party Outboa...
403_Pedalboard (PRE FX ONLY).syx
404_In the Loop (POST FX ONLY).syx
405_Ultimate FX Rig (4CM).syx
406_Outboard Loop.syx
16. Exploring External Control with Pedals
16.0 - External Control with Pedals.mp4
16.1 - Creating a Whammy Pedal.mp4
16.2 - Creating a "Talkbox" Formant P...
407_Pedal Exploration.syx
408_Pedal Exploration II.syx
17. Exploring & Editing FM3 Foot Control in Depth
17.0 - Layouts 1-5
17.1 - Layout 6- Per-Preset
17.2 - Layouts 7-9
Customized Factory Layouts.fclayout
LOOPER.fclayout
18. Integrating FC Foot Controllers
18.0 - Integrating FC Controllers
18.1 - Customizing Multiple Live Layouts
18.2 - Layout Linking
18.3 - Overrides, Stand-In Switches, ...
18.4 - The OMG9
Live Layout Suite.fclayout
19. The Internal Controllers Suite
19.0 - The Internal Controller Suite ...
409_Tempo Tying.syx
19.1 - Low Frequency Oscillators (LFOs)
410_LFO Trem.syx
411_Mimick the MIMIQ.syx
412_Natural Chorus.syx
413_Sweep Verb.syx
19.2 - The Envelope Follower.mp4
414_Gated Reverb.syx
415_Ducking Chorus.syx
416_Dynamic Drive.syx
417_Auto Wah & Filter.syx
418_Ambience.syx
19.3 - The ADSR
19.3b - Combining Controllers
419_ADSR Wah.syx
420_Auto Koto.syx
19.4 - The Sequencer
421_Sequencer.syx
19.5 - The Pitch Follower
422_Dynamic Pitch Lead.syx
19.6 - Scene Controllers
423_Scene Controllers.syx
424_Scene Controllers II.syx
19.7 - Manual Controllers
425_Manual Controllers.syx
19.8 - Control Switches.mp4
426_Control Switches.syx
19.8b - Creating a ”Sound on Sound” ...
427_Sound on Sound.syx
20. USB Recording & Reamping
20.0 - USB Audio & Recording.mp4
20.1 - USB Reamping.mp4
20. Utilities, Managing Presets & Cabs, Wrapping Up & Further Exploration
21.0 - Utilities & Managing Files.mp4
21.1 - FractalBot.mp4
21.2 - Wrapping Up.mp4
428_One Last Thing....syx
6 Lessons
7.0 - Dialing a Classic Rock Tone
7.1 - The Noise Gate
7.2 - Introduction to Modifiers- Wah ...
7.3 - Thickening Effects- Pitch
7.4 - Phasers
387_Classic Crunch.syx