The Complete FM3 Master Class with Cooper Carter
Buy now
Learn more
1. Introduction & Philosophy
1.0 - Introduction & Philosophy
2. The FM3 & Initial Setup
2.0 - Initial Setup - The Top Panel
2.1 - Footswitches, Layouts, and Views
2.2 - The Rear Panel & Making Connect...
3. The Setup Menus
3.0 - The Setup Menus - FC Controller...
3.1 - Global Settings
3.2 - Audio & USB Input-Output
3.3 - The Pedal Page
3.4 - MIDI-Remote Settings
3.5 - Utilities
3.6 - Setting Up the Tuner
4. FM3-Edit
4.0 - Introduction to FM3-Edit
5. Dialing in a Clean Tone
5.0 - Dialing in a Clean Tone - The B...
5.1 - Leveling a Preset
5.2 - Introduction to Reverb
5.3 - Dialing in Compression
5.4 - The Basics of Delay
5.5 Tying Effects to Tempo
5.6 - Dialing in Chorus
385_Clean Tone.syx
FM3 Template 1.syx
FM3 Template 2.syx
6. Dialing in an Edge of Breakup Tone
6.0 - Dialing in an Edge of Breakup Tone
6.1 - Organic Reverb Techniques
6.2 - Drives & Pedal Platform Techniques
6.3 - The Basics of Tremolo
6.4 - The Rotary Speaker
386_Breakup Tone.syx
7. Dialing in a Classic Rock Tone
7.0 - Dialing a Classic Rock Tone
7.1 - The Noise Gate
7.2 - Introduction to Modifiers- Wah ...
7.3 - Thickening Effects- Pitch
7.4 - Phasers
387_Classic Crunch.syx
8. Dialing in a High Gain Tone
8.0 - Dialing in a High Gain Tone
8.1 - Thickening Effects- Enhancer
8.2 - Flangers & Chorus
8.3 - Ambient Textures- Plex Delay
388_High Gain.syx
9. Introduction to Scenes & Channels
9.0 - Introduction to Scenes & Channels
9.1 - The Block Library
9.2 - Consolidating Four Presets into...
9.3 - Leveling Across Scenes
9.4 - Special Considerations with Sce...
9.5 - Channel Creativity
9.6 - Methods for Saving CPU
9.7 - Best Practices.mp4
Level-Mix-Calculator.xlsx
Massive Rig.syx
Massive Rig (Low CPU).syx
10. Building a Live Preset with Scenes
10.0 - Creating a Preset for Live Use...
10.1 - Pitch Block Toolbox
10.2 - Creating a Preset for Live Use...
10.3 - Cabinet Cutting
10.4 - The MIDI Block
Live Preset.syx
11. "Amp in the Room" Tone & Headphone Playing
11.0 - Amp in the Room & Headphone Tone
11.1 - Amp Block Methods
11.2 - Cabinet Block Methods
Headphone Tone.syx
Amp in the Room.syx
12. Advanced Amp Parameters
12.0 - Advanced Amp Parameters
394_Amp Exploration.syx
13. Multiple Inputs, Multiple Instruments
13.0 - Multiple Inputs, Multiple Inst...
13.1 - Running an Acoustic & an Elect...
13.2 - Running an Electric Guitar & a...
395_Electric & Piezo.syx
396_Electric & Acoustic.syx
397_Electric & Bass.syx
398_Electric & Bass II.syx
U1.0003_Acoustic Tone Match.syx
14. Multiple Outputs, Multiple Rigs
14.0 - Multiple Outputs, Multiple Rigs
14.1 - Neutral Power Amp & Cab
14.2 - FRFR System & an Onstage, Neut...
14.3 - Tube Power Amp & Cab or a Head...
399_Live Preset (Ears Out 2).syx
400_Live Preset (SS+CAB).syx
401_Live Preset (PA+SSCAB).syx
402_Live Preset (TUBE AMP).syx
15. Using the FM3 as an Effects-Only Unit
15.0 - The FM3 as an FX-Only Unit - I...
15.1 - In the FX Loop of an Amp
15.2 - With the Four Cable Method (4CM)
15.3 - Integrating Third-Party Outboa...
403_Pedalboard (PRE FX ONLY).syx
404_In the Loop (POST FX ONLY).syx
405_Ultimate FX Rig (4CM).syx
406_Outboard Loop.syx
16. Exploring External Control with Pedals
16.0 - External Control with Pedals.mp4
16.1 - Creating a Whammy Pedal.mp4
16.2 - Creating a "Talkbox" Formant P...
407_Pedal Exploration.syx
408_Pedal Exploration II.syx
17. Exploring & Editing FM3 Foot Control in Depth
17.0 - Layouts 1-5
17.1 - Layout 6- Per-Preset
17.2 - Layouts 7-9
Customized Factory Layouts.fclayout
LOOPER.fclayout
18. Integrating FC Foot Controllers
18.0 - Integrating FC Controllers
18.1 - Customizing Multiple Live Layouts
18.2 - Layout Linking
18.3 - Overrides, Stand-In Switches, ...
18.4 - The OMG9
Live Layout Suite.fclayout
19. The Internal Controllers Suite
19.0 - The Internal Controller Suite ...
409_Tempo Tying.syx
19.1 - Low Frequency Oscillators (LFOs)
410_LFO Trem.syx
411_Mimick the MIMIQ.syx
412_Natural Chorus.syx
413_Sweep Verb.syx
19.2 - The Envelope Follower.mp4
414_Gated Reverb.syx
415_Ducking Chorus.syx
416_Dynamic Drive.syx
417_Auto Wah & Filter.syx
418_Ambience.syx
19.3 - The ADSR
19.3b - Combining Controllers
419_ADSR Wah.syx
420_Auto Koto.syx
19.4 - The Sequencer
421_Sequencer.syx
19.5 - The Pitch Follower
422_Dynamic Pitch Lead.syx
19.6 - Scene Controllers
423_Scene Controllers.syx
424_Scene Controllers II.syx
19.7 - Manual Controllers
425_Manual Controllers.syx
19.8 - Control Switches.mp4
426_Control Switches.syx
19.8b - Creating a ”Sound on Sound” ...
427_Sound on Sound.syx
20. USB Recording & Reamping
20.0 - USB Audio & Recording.mp4
20.1 - USB Reamping.mp4
20. Utilities, Managing Presets & Cabs, Wrapping Up & Further Exploration
21.0 - Utilities & Managing Files.mp4
21.1 - FractalBot.mp4
21.2 - Wrapping Up.mp4
428_One Last Thing....syx
Products
Course
Section
6. Dialing in an Edge of Breakup Tone
6. Dialing in an Edge of Breakup Tone
The Complete FM3 Master Class with Cooper Carter
Buy now
Learn more
1. Introduction & Philosophy
1.0 - Introduction & Philosophy
2. The FM3 & Initial Setup
2.0 - Initial Setup - The Top Panel
2.1 - Footswitches, Layouts, and Views
2.2 - The Rear Panel & Making Connect...
3. The Setup Menus
3.0 - The Setup Menus - FC Controller...
3.1 - Global Settings
3.2 - Audio & USB Input-Output
3.3 - The Pedal Page
3.4 - MIDI-Remote Settings
3.5 - Utilities
3.6 - Setting Up the Tuner
4. FM3-Edit
4.0 - Introduction to FM3-Edit
5. Dialing in a Clean Tone
5.0 - Dialing in a Clean Tone - The B...
5.1 - Leveling a Preset
5.2 - Introduction to Reverb
5.3 - Dialing in Compression
5.4 - The Basics of Delay
5.5 Tying Effects to Tempo
5.6 - Dialing in Chorus
385_Clean Tone.syx
FM3 Template 1.syx
FM3 Template 2.syx
6. Dialing in an Edge of Breakup Tone
6.0 - Dialing in an Edge of Breakup Tone
6.1 - Organic Reverb Techniques
6.2 - Drives & Pedal Platform Techniques
6.3 - The Basics of Tremolo
6.4 - The Rotary Speaker
386_Breakup Tone.syx
7. Dialing in a Classic Rock Tone
7.0 - Dialing a Classic Rock Tone
7.1 - The Noise Gate
7.2 - Introduction to Modifiers- Wah ...
7.3 - Thickening Effects- Pitch
7.4 - Phasers
387_Classic Crunch.syx
8. Dialing in a High Gain Tone
8.0 - Dialing in a High Gain Tone
8.1 - Thickening Effects- Enhancer
8.2 - Flangers & Chorus
8.3 - Ambient Textures- Plex Delay
388_High Gain.syx
9. Introduction to Scenes & Channels
9.0 - Introduction to Scenes & Channels
9.1 - The Block Library
9.2 - Consolidating Four Presets into...
9.3 - Leveling Across Scenes
9.4 - Special Considerations with Sce...
9.5 - Channel Creativity
9.6 - Methods for Saving CPU
9.7 - Best Practices.mp4
Level-Mix-Calculator.xlsx
Massive Rig.syx
Massive Rig (Low CPU).syx
10. Building a Live Preset with Scenes
10.0 - Creating a Preset for Live Use...
10.1 - Pitch Block Toolbox
10.2 - Creating a Preset for Live Use...
10.3 - Cabinet Cutting
10.4 - The MIDI Block
Live Preset.syx
11. "Amp in the Room" Tone & Headphone Playing
11.0 - Amp in the Room & Headphone Tone
11.1 - Amp Block Methods
11.2 - Cabinet Block Methods
Headphone Tone.syx
Amp in the Room.syx
12. Advanced Amp Parameters
12.0 - Advanced Amp Parameters
394_Amp Exploration.syx
13. Multiple Inputs, Multiple Instruments
13.0 - Multiple Inputs, Multiple Inst...
13.1 - Running an Acoustic & an Elect...
13.2 - Running an Electric Guitar & a...
395_Electric & Piezo.syx
396_Electric & Acoustic.syx
397_Electric & Bass.syx
398_Electric & Bass II.syx
U1.0003_Acoustic Tone Match.syx
14. Multiple Outputs, Multiple Rigs
14.0 - Multiple Outputs, Multiple Rigs
14.1 - Neutral Power Amp & Cab
14.2 - FRFR System & an Onstage, Neut...
14.3 - Tube Power Amp & Cab or a Head...
399_Live Preset (Ears Out 2).syx
400_Live Preset (SS+CAB).syx
401_Live Preset (PA+SSCAB).syx
402_Live Preset (TUBE AMP).syx
15. Using the FM3 as an Effects-Only Unit
15.0 - The FM3 as an FX-Only Unit - I...
15.1 - In the FX Loop of an Amp
15.2 - With the Four Cable Method (4CM)
15.3 - Integrating Third-Party Outboa...
403_Pedalboard (PRE FX ONLY).syx
404_In the Loop (POST FX ONLY).syx
405_Ultimate FX Rig (4CM).syx
406_Outboard Loop.syx
16. Exploring External Control with Pedals
16.0 - External Control with Pedals.mp4
16.1 - Creating a Whammy Pedal.mp4
16.2 - Creating a "Talkbox" Formant P...
407_Pedal Exploration.syx
408_Pedal Exploration II.syx
17. Exploring & Editing FM3 Foot Control in Depth
17.0 - Layouts 1-5
17.1 - Layout 6- Per-Preset
17.2 - Layouts 7-9
Customized Factory Layouts.fclayout
LOOPER.fclayout
18. Integrating FC Foot Controllers
18.0 - Integrating FC Controllers
18.1 - Customizing Multiple Live Layouts
18.2 - Layout Linking
18.3 - Overrides, Stand-In Switches, ...
18.4 - The OMG9
Live Layout Suite.fclayout
19. The Internal Controllers Suite
19.0 - The Internal Controller Suite ...
409_Tempo Tying.syx
19.1 - Low Frequency Oscillators (LFOs)
410_LFO Trem.syx
411_Mimick the MIMIQ.syx
412_Natural Chorus.syx
413_Sweep Verb.syx
19.2 - The Envelope Follower.mp4
414_Gated Reverb.syx
415_Ducking Chorus.syx
416_Dynamic Drive.syx
417_Auto Wah & Filter.syx
418_Ambience.syx
19.3 - The ADSR
19.3b - Combining Controllers
419_ADSR Wah.syx
420_Auto Koto.syx
19.4 - The Sequencer
421_Sequencer.syx
19.5 - The Pitch Follower
422_Dynamic Pitch Lead.syx
19.6 - Scene Controllers
423_Scene Controllers.syx
424_Scene Controllers II.syx
19.7 - Manual Controllers
425_Manual Controllers.syx
19.8 - Control Switches.mp4
426_Control Switches.syx
19.8b - Creating a ”Sound on Sound” ...
427_Sound on Sound.syx
20. USB Recording & Reamping
20.0 - USB Audio & Recording.mp4
20.1 - USB Reamping.mp4
20. Utilities, Managing Presets & Cabs, Wrapping Up & Further Exploration
21.0 - Utilities & Managing Files.mp4
21.1 - FractalBot.mp4
21.2 - Wrapping Up.mp4
428_One Last Thing....syx
6 Lessons
6.0 - Dialing in an Edge of Breakup Tone
6.1 - Organic Reverb Techniques
6.2 - Drives & Pedal Platform Techniques
6.3 - The Basics of Tremolo
6.4 - The Rotary Speaker
386_Breakup Tone.syx