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Introduction & Philosophy

• The Axe-Fx III in 2023 - Welcome to v3.029

• Introduction & Philosophy18

Setup & Global Settings

• Initial Setup & Gear Considerations24

• The Input Screen18

• Audio & USB/AES Settings13

• FC Controller Settings3

• Global Settings20

• The Pedal Page7

• MIDI/Remote Settings

• Utilities

• The Tuner6

• The IR Capture Screen12

Basics of the Grid & Dialing in a Clean Tone

• Routing Best Practices & Templates15

• Dialing in a Clean Tone18

• Adding in Reverb

• Dialing in Compression4

• The Basics of Delay3

• Dialing in Chorus & Further Refinements8

• The Perform Tabs5

• 449_Clean Tone.syx2

Dialing in an Edge of Breakup Tone

• Dialing in an Edge of Breakup Tone Pt. I12

• Dialing in an Edge of Breakup Tone Pt. II1

• Organic Reverb Techniques4

• Exploring Compression

• Exploring Edge of Breakup Drive1

• Creating an Ambient Space

• Tremolo

• The Rotary Speaker

• The Perform Tab

• 450_Elusive EoB.syx

Dialing in a Classic Rock Tone

• Introduction to Dialing in a Classic Rock Tone8

• Dialing in a Classic Rock Tone3

• Exploring Drives & Reverbs1

• Delays1

• Exploring Thickening Effects1

• The Perform Tab

• 451_Classic Rock Tone.syx

Dialing in a High Gain Tone

• Dialing in a High Gain Tone13

• The Noise Gate9

• Dialing in Delay & Reverb2

• Making It Sound Huge

• Exploring the Enhancer2

• Flangers

• Exploring the Plex Delay10

• Dialing in a Wah Pedal5

• The Perform Tab

• 452_High Gainer.syx

Introduction to Scenes & Channels

• Introduction to Scenes and Channels7

• The Block Library & Global Blocks

• Consolidating Four Presets into One Rig of Power6

• Special Considerations with Scenes & Parallel Routing16

• Exploring Wah Channels5

• Best Practices for Presets with Scenes

• Thoughts on Consolidating Presets

• Managing CPU.mp4

• Level-Mix-Calculator.xlsx1

• 453_The Rig of Powah.syx7

Building a Live Preset with Scenes

• Dialing in a Live Tone10

• Refining a Live Tone

• Exploring the Compressor

• Sculpting a Lead

• Adding More Effects2

• Exploring the Rotary

• Even More Effects2

• Building Gig Scenes1

• The Virtual Capo & Pitch Block9

• High & Low Cutting the Cabinet Block for Live Performance

• Live Performance Controls2

• 454_AC-20 Live Rig.syx

Recreating the "Amp in the Room" Sound

• Introduction to Recreating the "Amp in the Room" Sound6

• Recreating the Amp in the Room Sound Pt. II - EQ Methods2

• Recreating the Amp in the Room Sound Pt. I - Dialing in the Tone2

• Recreating the Amp in the Room Sound Pt. III - Cabinet Block Methods3

• 455_Amp in the Room.syx

Exploring Amp Parameters

• Exploring Advanced Amp Parameters2

• Exploring Supply Sag

• Exploring the Variac

Using Multiple Amps

• Introduction to Using Multiple Amps2

• Setting Up Eight Amps in One Preset5

• Live Mixing Between Amps3

• 394_Amp Fading.syx

• 393_Eight Amp Rig MUX.syx

• 392_Two Amp Rig Scenes.syx

Creating a "Sound on Sound"

• Creating a Sound on Sound Pt. I - Dialing Two Parallel Tones

• Creating a Sound on Sound Pt. II - Implementing Modifier Curves5

• 395_Sound on Sound.syx

Using Multiple Inputs for Multiple Instruments

• Introduction to Multiple Inputs & Running Two Guitars into the Axe-Fx III6

• Running an Acoustic & an Electric Guitar into the Axe-Fx III

• Running Two Guitarists into the Axe-Fx III14

• Running a Guitar & a Bass into the Axe-Fx III

• Running a Full Band on One Axe-Fx III

• 396_Electric Piezo.syx2

• 397_Electric and Acoustic Rig.syx

• 398_Two Guitarists One Axe-Fx III.syx

• 399_A Guitarist and a Bassist.syx

• 400_A Full Band with One Axe-Fx.syx

Building Different Physical Rigs

• Introduction to Multiple Outputs & Utilizing Multiple FRFR Outputs5

• Using the Axe-Fx III with a Solid State Power Amp and Cab9

• Using the Axe-Fx III with a Tube Power Amp & Cab or a Head/Combo7

• Using the Axe-Fx III with an FRFR System & an Onstage, Solid State Power Amp & Cab3

• Using the Axe-Fx III with an FRFR System & an Onstage, Tube Power Amp & Cab3

• 465_AC-20 Live Rig.syx

• 467_AC-20 Live Rig SS PWR Amp.syx

• 466_AC-20 Live Rig wEarsWedge.syx

• 468_Friedman Live Rig Tube PWR Amp.syx

• 469_AC-20 Live Rig PA + SS CAB.syx

• 470_AC-20 Live Rig PA + Tube DryCAB.syx

• 471_AC-20 Live Rig PA + Tube WetCAB.syx

Using the Axe-Fx III as an Effects-Only Unit

• Using the Axe-Fx III as the Ultimate Effects Processor with the Four-Cable Method (4CM)19

• Using the Axe-Fx III as an FX Loop Only Processor2

• Using the Axe-Fx III in Front of an Amp

• 474_Front of Amp Pedalboard Rig.syx

• 473_In da Loop FX Rig.syx

• 472_4CM FX Rig.syx

External Control with Pedals

• Introduction to External Control with Pedals - Wah & Volume10

• Creating a Whammy Pedal2

• Creating a 'Talkbox' Formant Pedal3

• Controlling Amp Gain with a Pedal

• Controlling Delays with a Pedal2

• 475_Pedals.syx

• 476_Pedal 1 Controls.syx

Using the FC Foot Controllers

• Introduction to the FC Controllers

• FC Layouts 1-5 - The Presets, Scenes, Effects, Channels & Looper Layouts10

• FC Layout 6 - The Per-Preset Layout13

• FC Layouts 7 & 8 - The Perform Layouts7

• Customizing Multiple Live Layouts - Advanced Layout Linking11

• Stand-In Switches, Pedals & Further Refinement20

• The JP IIC+ Preset

• FC-6 vs. FC-12 Considerations3

• Using Multiple FC Pedals Pt. I

• Using Multiple FC Controllers Pt. II

• MAIN LIVE FC Layout 1 File

• SONGLIST FC Layout 4 File

• LOOPER FC Layout 5 File

• MAIN LIVE 12-6 COMBO.fclayout

• TOC.fclayout

• TOC 2.fclayout

• Cooper's Petrucci IIC+.syx

The Internal Controllers Suite

• Exploring Low Frequency Oscillators (LFOs) Pt. II3

• Exploring Low Frequency Oscillators (LFOs) Pt. I

• Exploring the Envelope Follower Pt. I

• Exploring the Envelope Follower Pt. II

• Exploring the ADSR

• The 'Auto Koto' - Advanced Controller Usage6

• Exploring the Sequencer3

• Exploring the Pitch Follower

• Creating a Dynamic Lead with the Pitch Follower

• Creating a Synth Lead with the Pitch Follower

• Exploring Scene Controllers3

• Automating Tone with Scene Controllers4

• Applying Scene Controllers to the Sound on Sound Preset

• Exploring Control Switches Pt. I

• Exploring Control Switches Pt. II

• 413_LFO Synched Tremolo.syx

• 414_LFO Trem Ramping.syx

• 415_Electric Miss.syx

• 416_Organic Chorus.syx

• 417_Banded Reverb.syx

• 418_Alien Delay.syx

• 419_Gated Reverb.syx

• 420_Envelope Trem.syx

• 421_Auto Wah.syx

• 422_Enveloped in Crystals.syx

• 423_Env vs. ADSR.syx

• 424_ADSR Flanger.syx

• 425_Auto Koto Effect.syx

• 426_Seeking a Wah.syx

• 427_Pitches Running Wild.syx

• 428_Synth Lead - Pitch Activated.syx

• 429_Amp Gain Scene Controller.syx

• 430_Effects Mix Scene Controllers.syx

• 431_Sound on SoundScene Controlled.syx

• 432_Control Switched Amp Scenes.syx

Tone Matching

• Introduction to Tone Matching1

• Tone Matching a Recorded Electric Tone7

• Tone Matching High Gain Tones5

• Tone Matching an Acoustic Guitar

• Turning an Electric Guitar into an Acoustic5

• 433_Tone Matching.syx

• 434_Tone Matching II.syx

• 435_Acoustic Tone Match.syx

• 436_Turn This Electric Acoustic!.syx

• U1.0002_Imperial March TM.syx

• U1.0003_Acoustic Tone Match.syx

• U1.0004_EBMM Demo Deluxe.syx

Reamping

• Introduction to Reamping3

• Setting Up for Reamping2

• Reamping with the Axe-Fx4

• Live Reamping via USB7

• 437_AC-20 Reamping Rig.syx

• 438_AC-20 Live Rig II.syx

Controlling the Axe-Fx with a DAW

• Setting Up to Control the Axe-Fx with a DAW13

• Creating a Preset to Control with a DAW

• Automating Scene Changes with a DAW2

• Automating a Wah (Or Anything Else!) with a DAW10

• Creating Live Harmony Lines with the Pitch Block & a DAW1

Managing Presets & Cabs, Wrapping Up & Further Exploration

• Managing Presets8

• Managing Cabs1

• Wrapping Up & Further Exploration2

• One Final Experiment - Wandering Through Modifiers, Synths, and Leads4

• 508_Synth Jam in Am.syx3